This was a cool gem I found on Reddit:
Mary Robinette Kowal gives a rundown of how she turns an idea into a story idea! I’m always interested in seeing how each author does this. I’m going to go through her steps to see if it helps me. Starting out as a writer means learning all the rules and then internalizing them to make them your own.
One of the things that is hardest to learn is that you need to trust your own instincts — not as a writer, but as a reader. Basically that moment when you think, “I would love to read a story about…” is a moment when your brain is offering you inspiration for a story you could write. Even niggling side thoughts like, “it would be cooler if” can be the seed of the story.
The seed isn’t the problem, it’s developing it into a story idea that’s the tricky bit. Here’s an exercise to try.
- Write down a gee whiz idea.
- Where would this gee whiz idea happen? That’s your general scenic location.
- Write down characters who would be there.
- From that list, which ones do you want to spend time with?
- What does each have at stake?
- Pick the one who has most at stake ie the most to lose. That’s your main POV character.
- What do they want? Brainstorm for 3-5 minutes and, then bold the idea that excites you.
- Why can’t they have it? Brainstorm, then bold the idea that excites you.
- What is their plan? Brainstorm, then bold the idea that excites you.
- Write 1- 3 sentences summing up your decisions.
- Identify what kind of MICE conflict it is.
- A. Trying to escape – milieu
- B. Questions –idea
- C. Crisis of faith/self-doubt – character
- D. Things happen! – event
- Where does that mean the story needs to begin? Or, what MICE Quotient frame goes around it gets.
So that gives you a basic story beginning, but something that is only a single thread is often dull.
Now we need a second plot thread. Typically, if you pick the same MICE Quotient element, it winds up being just a conflict in the main plot, not a second thread in its own right.
- 1. Try to find a different MICE element to introduce.
- A. Milieu – What problems exist with your MC’s environment?
- B. Idea – What questions does your MC have?
- C. Character – What challenges your MC’s self definition?
- D. Event – What disrupts your MC’s status quo?
- 2. From the list, try to pick something that is not the same kind of MICE thread as your primary conflict. This will be your secondary conflict.
- 3. Write 2-3 sentences summarizing your decision.
- 4. Weave that into your previous set of decisions and that gives you a very basic frame for a story.
There are other tricks and this is definitely not the only way to go from idea to story, but it’s an exercise that can help you sort things out while you are learning to develop your instincts.